In my cranky old age, I actually prefer recording alone now, on 'The Simpsons,' for example, because I find that the director can just focus on what I'm doing and I can do a lot of variations. A lot of times, when I record with a group, I'll stay after class for another hour or two.

I tend to not watch things that are current. And then if everybody swears it's amazing then I'll like watch the whole series in a weekend.

There's no experience like on-the-job training.

Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.

You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.