There is one type of ideal woman very seldom described in poetry - the old maid, the woman whom sorrow or misfortune prevents from fulfilling her natural destiny.

Perhaps there is an idea among Japanese students that one general difference between Japanese and Western poetry is that the former cultivates short forms and the latter longer ones, gut this is only in part true.

It is true that short forms of poetry have been cultivated in the Far East more than in modern Europe but in all European literature short forms of poetry are to be found - indeed quite as short as anything in Japanese.

I often imagine that the longer he studies English literature the more the Japanese student must be astonished at the extraordinary predominance given to the passion of love both in fiction and in poetry.

But what is after all the happiness of mere power? There is a greater happiness possible than to be lord of heaven and earth that is the happiness of being truly loved.