And I believe that the best learning process of any kind of craft is just to look at the work of others.

Never seem more learned than the people you are with. Wear your learning like a pocket watch and keep it hidden. Do not pull it out to count the hours, but give the time when you are asked.

English people don't have very good diction. In France you have to pronounce very particularly and clearly, and learning French at an early age helped me enormously.

I never found accents difficult, after learning languages.

Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.